Please
fill out the information as accurately and completely as possible and submit it using the
button at the very bottom of this form.
Original Formats
The first section
is about the audio media you need to have professionally restored...
whether they're tapes, discs, wire recordings etc. Of course, you
may have a mixture of formats, so we've provided multiple data
fields which we hope will be enough to cover your particular
situation.If you do not
know the information you may skip over it, but please remember that
the more accurate information we receive the more accurate
information we are able provide.
Example
Type
Tracks
Track Config
Number
of Tapes
Run Time
(mins)
Reel
Diameter
Tape
Speed
Tape
Thickness
1/2 inch
stereo
Single Pass
57
30
10 inches
7.5ips
1.0 mil
1/4 inch
mono
Bi-Directional
345
15
7 inches
15 ips
0.5 mil
Only enter data
into the fields which apply to you.
1. Contact Info
2. Original Formats
a. Open Reel Tapes
Type
Tracks
Track
Config.
Number
of Tapes
Run
Time(mins)
Reel
Diameter
Tape
Speed
Tape
Thickness
b. Cassette Tapes
Media
Type
Track Config.
Number
of Tapes
Run
Time
(mins)
c. Discs
Disc Size
Track
Config
Number
of Discs
Speed
Recorded on
Run Time
(mins)
Condition
d. Wires
Spool
Type
Number
of Reels
Run
Time
(mins)
Condition
e. Cylinders
Media
Type
Number of
Cylinders
Run
Time (mins)
f. Dictabelts
Number
of Belts
All audiotape
restoration costs are calculated on a per piece basis and will be
transferred one to one unless otherwise indicated.
g. Special Source
Metadata
Please indicate
field name and description for each field you would like captured (standard
basic metadata)
3. Transfer Type
Archival transfer
involves bringing the original recording to its best possible
playability - usually through a physical treatment process and may involve
more laborious customized setup and calibration efforts for tapes that
exhibit “unusual” reproduction characteristics- then transferring to new
media "as is," without enhancement.
Duplication transfer
involves reproduction without physical treatment and a standard setup or
calibration for reproduction.
Sonic restoration
however, involves an additional stage, whereby the signal is processed to
remove extraneous noise
and improve upon the quality of the original.
Physical Restoration repair or recovery
efforts from degradation or damage.
4. Return
Original
How
Should The Original Be Returned ?
5. Destination
Formats
Please indicate the number of copies of each original that you
would like, and fill out the following information where applicable.
Do not accommodate the number or reels a long source may require (ex. A 3
hour source consuming 3 destination CDs). We will take this under
consideration.
a. Open Reel Tape
Quantity
Reel
Diameter
Speed
Stock
Tape
Thickness
b. Audio CD
Marker Specs:
This refers to Tracks on CDs. Track marker specifications on CD's may be
"5 min. track markers" or "new track marker at music/speaker change", etc
& The addition of track marker specifications directly
effects the complexity of the workflow and therefore will effect
the overall price.
Copy
Quantity
Brand
Length
Marker Specs
Stock
Copy 1
Copy 2
c. Digital Files
Format
Quantity
Stock
Resolution / Data Rate
Delivery Format
d. Special
Destination/Technical Metadata
Please indicate
field name and description for each field you would like captured (standard
basic metadata)
Please note
any specialized information such as compiling, splitting of source
content, editing, etc. NOTE: All restoration work will be transferred on a
one-to-one basis unless otherwise specified by client.