Audio Tape Restoration
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The
VidiPax™ archival audio service is designed and customized for
preservation and is significantly different from systems used in audio
postproduction, recording or duplication facilities. Our aim for
preservation is to achieve the highest-quality reproduction and
recording without losing the integrity of the original. The VidiPax™
audio archival service specializes in the remastering of analog
open-reel tapes. The equipment we use for this process is highly
specialized for optimum playback of the original record format. |
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Tape
Arrival |
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Before work begins on a tape or group of tapes sent to VidiPax™, each is
entered into our computer database management system and given a
specific job and reel number. These numbers are physically labeled on
each tape and all associated packing containers. All documentation
provided by the client is also entered into the database to ensure that
the client specifications are followed throughout the restoration
process. |
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Initial Inspection |
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A
restoration specialist then examines each tape and notes its condition
in the database. This includes the presence of dirt, edge damage,
irregular tape wind, and excessive oxide shedding in the container. If,
at this or any other stage, a problem is detected that indicates that
unusual measures will need to be taken in order to attempt a successful
playback, the client will be contacted. |
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Tape
Cleaning |
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We do
not use chemicals or heat in our cleaning process. Instead, we employ
multiple transports of Pellon™ that roll slowly against both sides of
the tape. Pellon™ is a nonabrasive, non-lubricant material that was
designed specifically for cleaning magnetic media. Our cleaning machines
were built or modified by their manufacturers according to our
specifications. This equipment is not available anywhere except at
VidiPax™. Our process is incremental and non-intrusive. Each pass on the
machine is gentle. Its purpose is to remove dirt and other debris while
correcting the wind at the same time. When the cleaning process
liberates no more adhesive or shed, a pass at the cleaning machine
station yields a clean section of Pellon™, and the tape is considered
clean. |
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Tapes with severe
residue build up require several passes. Patience is critical for
ensuring optimal results. Care is taken to prevent the buildup of debris
on the guides and rollers through periodic cleaning, which preserves the
integrity of the cleaning equipment and avoids potential
cross-contamination. In cases of severe oxide shedding and stiction or
when mold or fungus is present, our technicians may clean the tapes by
hand under strict guidelines for environmental safety. |
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Because of the high success and reliability of tape cleaning, the common
tape-baking process is almost never used. Even under the worst
conditions it is rarely necessary. Once a tape is baked, it has little
or no remaining storage life. Invasive processes of heat exposure or
chemical “washing” seriously accelerate all the symptoms of
deterioration and aging. Noninvasive cleaning increases the tape’s
storage life. |
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Our audio systems are
designed and customized for restoration. They are significantly
different from the systems used in audio postproduction, recording, or
duplicating facilities. Where a stationary contact point normally exists
on Studer™ 820 tape decks, ours have been refitted with roller guides
for optimal playback of delicate tapes. Our aim is to achieve the
highest quality reproduction and rerecording on Studer ™ 807 tape decks
without any change to the integrity of the original, as perfect a copy
as the present state of the art will allow. |
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The
rerecording process is monitored in real time. As the master is played
back, a restoration specialist closely monitors and documents any
irregularities that may be present in the original recording.
No corrective
rerecording or changes are performed in the transfer unless specified by
the client. Prior to playback of each reel or group, the restoration
specialist verifies optimal linearity and azimuth as well as optimal
playback deck transport performance. |
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The Quadriga/Audio
Cube™ Workstation is an archive solution for large collections. It is
highly specialized for archive transfer and features automated
supervision of the entire audio signal chain both in analog and digital
domains, while recognizing and documenting any faults in audio quality
or physical problems on the tape. Audio Cube™ contains numerous digital
signal process functions, such as DeBuzz™ and DeNoiser™, for repair and
restoration of any part of an archive that the client requests. The
Sadie™ Digital Audio Workstation is available for special editing and
remastering tasks. |
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Our
process is designed to respect the integrity of the original audio we
are archiving. In preservation, the aim is to transfer to the
highest-grade format possible for quality and longevity. Though there
are multiple options, the recommended practice is to transfer directly
to analog reel-to-reel as well as digitally to pthalocyanine CD for
archive and to make a second CD copy for research or regular-use access. |
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Final
Check and Shipping |
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When
the restoration is completed and new masters have been made, all
materials are labeled, packed, and checked against the original shipping
manifest. Tape Condition Reports are generated for each tape from the
database management system, and reviewed by a management-level
restoration specialist. Unless the customer specifies otherwise, the
original masters will be shipped after the restoration masters, in case
of loss or damage during transport. |
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